![]() Learn how to quickly match the color of two shots, change the overall color of your video image and add a vignette to your image as a secondary corrector. This is one simple trick that every Final Cut Pro X user should know!įinal Cut Pro X Color Matching + Vignetteĭiscover some of the highlights of color correction in Final Cut Pro X. In this short video tutorial, learn how you can quickly match the color look between two different shots, bringing more continuity to your final edit. One of the major color correction advancements in FCPX is the auto match color function. Another great takeaway: always adjust exposure first! Learn the shortcuts of the FCPX color board to speed up your color correction workflow. Learn how adjusting the shadow, midtones and highlight pucks in the Color Board will effect your video image. This quick tutorial has a ton of great info about primary color correction in FCPX. This video is a preview of a longer on-demand webinar from. ![]() Learn how using FCPX’s built-in video scopes will enable you to gain consistency in your correction and stay within broadcast safe levels. He clearly explains the difference between color correction and color grading and shows how using FCPX color presets can quickly give your video project a custom look.īen Brownlee gives an overview of the basic color correction tools in Final Cut Pro X. Dan Allen gives you the full rundown of the FCPX color interface, exploring how changes to the color, saturation and exposure tabs effect your video image. Get your feet wet with this primer for color correction in FCPX. Final Cut Pro X Basics Tutorial: Color Correcting / Grading The following video tutorials cover all aspects of the FCPX color correcting environment, addressing topics such as the FCPX color correction interface, workflow and advanced color effects. Learn the new interface, FCPX’s color matching functions and how to create custom looks.Ĭolor correction has gotten quite an upgrade in Final Cut Pro X, with significant improvements to the color grading interface and automatic color matching tools. Now, the mask will change size during playback between these points.In this post we’ve rounded up the best color correction and color grading video tutorials for Final Cut Pro X. Switch to Current Frame and adjust the mask. Then, advance the clip to the ending point for this size change. This becomes the starting position for the move. As an example if you want the mask to grow in size over the length of the clip, set the initial mask parameters in All Frames. When you apply a mask, the default is All Frames, meaning that shape will be used for the entire clip. Intersect means that only the overlap will become the active mask area. Subtract will use the second mask to remove a section of the first mask. Add combines the two shapes into a single mask action. Mode in the Masks section controls how overlapping masks act. Enable Show Mask to display the masked area in black-and-white, which is useful for adjusting Image Masks. When inverted, the color correction of that layer occurs outside of the mask area. A mask’s action can be reversed by clicking the Inverted button. The main section of the masks control panel includes numerical parameters for feathering, opacity, position, scale, and rotation. More than one shape mask can be applied to the same layer within this control panel and any shape or edge mask can be removed by selecting the mask layer in the Masks section and clicking the minus symbol (-). ![]() The viewer overlay also includes control tools for opacity and feathering, positioning, and the adjustment of spline points. ![]() The Image Mask is only available through the plus (+) selection and not via the on-screen buttons. ![]() Mask types include Rectangle, Ellipse, Polyline Path, B-Spline Path, Bezier Path, Edge (gradient), and Image Mask. Alternatively, you can click one of the mask options in the viewer overlay and use the mouse to apply that mask over the image. You can apply a mask either by clicking the plus symbol (+) at the bottom of the Masks section of the panel. It also adds a palette of mask tools that overlay the Final Cut Pro viewer. The mask control section replaces the color tool controls within the main part of the layers editing panel. ![]()
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